“You just have to realize you’re not going to get there, but so what?
“You just have to realize you’re not going to get there, but so what? You can still do beautiful work.”
SICHA: I meet a lot of people in their twenties, and they’re concerned. They want to get published, and I think, “Well, hopefully you’re going to live a little while. Don’t walk in front of any trucks.”
LE GUIN: I don’t think most people write very good narrative prose until they’re in their later twenties. Writing is a slow art. Music can be such a fast and early art. A good musician can be just terrific at 16. But how many writers are there … I mean, even Keats is still blundering around at 16. By his early twenties, of course, he’s writing immortal poetry, but there aren’t a lot of Keatses, really. There’s where you get “gift” to a degree that it’s kind of like a miracle. You can’t use the Keatses to talk about writing as a craft or an art or a practice or a profession. The geniuses — they’re off there, doing their lovely thing.
SICHA: They mess up the scale for the rest of us.
LE GUIN: That’s okay. You just have to realize you’re not going to get there, but so what? You can still do beautiful work.
SICHA: There’s room for plenty of people.
LE GUIN: Right. And there’s lots of room for just — I hate to say hack writing — I guess ordinary storytelling is really what I mean. There’s always room for another story. There’s always room for another tune, right? Nobody can write too many tunes. So if you have stories to tell and can tell them competently, then somebody will want to hear it if you tell it well at all. To believe that there is somebody who wants to hear that story is the kind of confidence a writer has to have when they’re in the period of learning their craft and not selling stuff and not really knowing what they’re doing. It’s like being adolescent for years and years after your adolescence.
Confession: I have not read any Ursula Le Guin! But I will do anything Choire tells me to do, so I’ll be taking the rest of the day off to read this excellent interview and every Le Guin book I can find. Bye!!