Same.

“People recognize her work, but not necessarily the breadth of her practice,” says the curator Juliet Bingham, who hopes the spectrum of the show will secure Delaunay’s place as a pioneering female artist, independent of the legacy of her husband Robert, whose work she championed until her death in 1979. “Sonia was completely free in the way she applied her vision, easily switching from one technique to another. Her aim was to bring art into everyday life.”

Same.

Image: Sonia Delaunay, Yellow Nude. 1908. Musée des Beaux-Arts de Nantes, Nantes